Rendez-vous with French Cinema 2017

The 22st edition will take place in New York, at the Film Society of Lincoln Center, from March 1rst to 12th.

Rendez-Vous with French Cinema returns with another edition that exemplifies the variety and vitality of contemporary French filmmaking. The lineup features diverse films, comprised of highlights from international festivals and works by both established favorites and talented newcomers.

This year’s programming, including the selected films, panels, and events, includes a special focus on the myriad of ways that French culture influences the arts in America, and vice-versa. As previously announced, the Opening Night selection is the North American premiere of Étienne Comar’s Django, starring Reda Kateb as the legendary jazz musician and Cécile de France, and the Closing Night selection is the U.S. premiere of Jérôme Salle’s The Odyssey, with Lambert Wilson as explorer Jacques Cousteau and co-starring Audrey Tautou and Pierre Niney.

Selections in this year’s edition of Rendez-Vous with French Cinema garnered an impressive 47 combined nominations for this year’s César Awards, which were announced last week. Best Film nominees include Frantz (eleven nominations), Slack Bay (nine nominations), Nicole Garcia’s Marion Cotillard showcase From the Land of the Moon (eight nominations), and Justine Triet’s offbeat rom-com In Bed with Victoria (five nominations). In addition, Emmanuelle Bercot’s gripping real-life drama 150 Milligrams, with Sidse Babett Knudsen as a doctor who challenged the French pharmaceutical industry, received nominations for adapted screenplay and Best Actress; up-and-coming filmmaker Stephanie de Giusto was nominated for Best First Film for The Dancer, which stars Soko as modern dance icon Loïe Fuller and Lily-Rose Depp as Isadora Duncan (both nominated); and additional nominations went to Sébastien Marnier’s Faultless, Katell Quillévéré’s Heal the Living, Sólveig Anspach’s The Together Project, and Salle’s The Odyssey.

Co-presented with UniFrance, this year’s Rendez-Vous demonstrates that the landscape of French cinema is as fertile as ever, and the voices calling from it never more distinct.

> Find out the film selection